Friday 13 December 2013

If there is something in this world worse than desolation, I cannot name it. It is like being torn away from the sun. In lightless, directionless drift, there isn't anything to guide me, or provide meaning to my motions. Existing is terrifying. There needs to be something else. Nothing happens. Nothing is there to happen.
I think desolation comes from a separation of the soul. Not necessarily from other souls, but from everything. From the whole person. And there's this tearing, because I'm stuck on both sides and they can't reach one another. I'm the soul on the one side, miserable and whimpering, her face pushed into her knees, holding out her hand and waiting for someone to take it, and I'm the Other, the mind part, trying to find some way to shape nothingness into a tool so that I can swim across the void, and get to her.

To be alone... to be alone isn't just being apart from other people. That's a flimsy sort of loneliness compared to this. Being desolate is being apart from yourself, unable to reach yourself no matter what method you try to employ. No screaming silence. No forceful immersion in worlds of words. The last resolve is simply nothing.

It is in nothing that the answers finally materialise. Because all I'm really missing is the chance to talk to myself. The Other keeps pulling levers and pushing buttons, waiting for some effect because that's what it always does. It rocks the soul and gives it food and scrapes the filth clinging to it as though it were an infant, attending to mechanical needs. But she isn't a child. Sometimes she just needs to talk in her own wordless language, and hear the Other say things back.
I'm still light-years away from myself. But it's light that bridges the distance, and makes me me again.
A collision of worlds would just be another sort of hell.

Monday 9 December 2013

I don't actually know what to call this one. Something to do with 'Religion' and 'Faith', I guess.

Religion has to be one of the most interesting fields of inquiry in an ocean of interesting fields. I say this because a lot of those fields, such as engineering, biology and cosmology, run on sound scientific principles. Religion does not - at the very least in the mind of scientists. In large part the idea of faith has inspired the mystique of non-scientific religion, even embodied it. This annoys logical people. Which means that they don't often take a good look at religion, when it really is something that does need a good long objective look.
There are certain great benefits to having a religion. For starters, it puts one in touch with like-minded individuals. This is probably why marriage has for the course of human history been primarily a religious institution - because you are most likely to bond with someone who holds the same world views as you do. This factor of religion extends to several other human needs too - counselling for those who need a second mind to help them think in a different way to their own, financial and emotional support from informed investors (described at its best, though at its worst, charity), a 'think tank' to face events that effect a wide population, and a gathering point for people to share experience and knowledge. On the last, it is interesting to note that churches were an equivalent to market places in The Middle Ages - a meeting place for guilds, traders, to watch plays and store goods. Prostitution was even practiced in churches up until the 13th century.

As for non-communal benefits, religion offers a degree of stability that is lacking in a mind that simply renounces existentialities rather than finding one to uphold. We all look for meaning in life (even nihilists, while alive, have reason to live), but science alone does not provide it. What science provides is an understanding of the principles on which life is based, how individual lives connect and how truly versatile meaning becomes in being applied to different topics. It is not an answer to an abstract, but provides concrete examples of how an abstract is realised. Religion bypasses the process of this investigation by putting faith in another entity’s answer. Science bypasses the attainment of an answer by accumulating all the data relevant to the question. Without some degree of faith, without acting on the understanding that all the data will not coalesce in one place, science will never provide answers about morality, or death, or the scope of the universe. Having a mind open on all sides is like having a box made of lids – nothing ever stays inside it. This is why science operates on a collection of ‘theories’. It admits that facts are fluid, often changing from generation to generation the more we discover.

I’ve come to understand that in life I crave the stability that science alone cannot offer. I need rules. I need a programmable solution to every situation I am presented with. Clear, moral goals. I am not a pure observer, nor am I a raw functionary of another’s arbitrary will, be it instinct or religion. So I require something else. There’s this sort of inner code of behaviour I follow, based on deeply rooted facts (Code) and more fleeting instances of working theory (Coda). They unite to form what is to me a self-evolved religion, which I call Librarianism, for a librarian is what I am at my most ordered moments, when the code runs clean.

What seems to me to separate one human being from another is our function – not our tastes or hobbies or the company we keep, but our work. There are very few animals in this world that actually specialise their labour, and lack this distinct means of individual coding. But for humans, it’s practically a requirement. It’s why above anything I’m interested in what people do. I believe when people have found a career path that means everything to them, it reflects their inner response systems for dealing with all physical permutations of that career. Metaphysically speaking a library is a place where the librarian pairs up the client with the experience of the most value to them. A virologist studies and seeks cures for infections, both biological and emotional. A teacher is more clearly illustrated without metaphor, because teaching need not be restricted to the classroom, and can extend to every interaction.
These, it seems to me, are what shall become the new religions of the 21st century. The ‘meaning of life’ they provide is in the service of a function. Their ‘morality’ is in the attainment of efficiency and productivity. Their response to death? Simply to live. To know that the work that one has done held havoc in check, and left an immortal mark on the course of history.
*
That said, I am a Librarian. Between my other projects (of which there are numerous and unending, left unfinished in the style of Da Vinci: charming but tragically incomplete) I take moments to consider the full capacity of a librarian’s existence. To me, these are no more perfectly stated than through the attainment of four characteristics: Logic, Memory, Focus, and Initiative.
It’s quite right to say that these four are not restricted to the field of the archivist. If anything, they are attributes of a brilliant mind. The intention is that these attributes of mind are to be used in concert with the purpose to which they need be put, by which their contemplation draws out certain truths about the morality of a librarian. How does a librarian use their memory? Quite simply by not remembering everything in existence, and instead creating an index through which information can be quickly recovered from their archive. How does a librarian apply initiative? By reading. Reading lets a librarian become aware of all situations that may arise, and act in their confrontation as they have learned from their holy charges.

My religion is one that strives for the perfection of these four attributes. When I pray, it is not to the best within the universe, but the best within myself. I’ll leave theologists to their own devices in considering whether or not that is heresy.

Monday 14 October 2013

Sometimes, words become an anuerism.

Gambolrambits. Phliggerig? Yarsamp. The floggidules thwarp my x-factor. Somewhy I'm still fixing the thpelling mistakes in the imaginarious words in this post. Oh gloop.
Iddishlack & Tongs. Moosi moosi thoriadic shnapps. Squeeeeeooooooeeeeeeeeoooooeeeeeeoooo. Please, PLEASE don't read this. It is not fit for human consumption. it's shcraff. p.
I don't know. I don't know I don't know I don't know. Maybe I know. But I'm not telling. Unclog! Out, the demonig grammits! Quit mine brain! I wantum freeeeee thought~~~~!!!
The word overtured to the curdledeeedurles
Ooooh yeah yeah...
I... n'odt know. But A is A.

Monday 23 September 2013

The Crescent Stars

I've finally finished the poetry anthology I've been working on this year. It isn't very large, but when you're me actually finishing something is a pretty big deal. You may recognise some of these from the far flung corners of my interweb. Others are completely new. They are introspection pieces, a self-analysis of sorts viewing myself from the twelve angles I consider as essential dimensions of reality. I call them 'The Crescent Stars'. Click a name on the left to summon a poem.


Walking City                                                                                       Shape
Highwalker                                                                                         Density
Logician                                                                                     Temperature
Voodoo Cowboy                                                                             Spectrality
Ancient                                                                                                 Time
Glitch                                                                                               Corporeality
The Sixth World Librarian                                                                Meaning
Lightbringer                                                                                       Illumination
Gentle Hues                                                                                          Colour
Cautious                                                                                              Speed
Anywhere but Here                                                                         Direction
Silent Witness                                                                                    Sound


Some background info. on the same, for those interested:

I find that at times it's difficult to know who I am and what I want. The word for it is ambivalence. I want too much, too many things, and many of them contrary. Thankfully for me as a writer this means I can quite easily split myself into 40 or more different characters/geographies/cities or whatever and observe how they interact. Damnably, when I'm not writing, they are all fighting to drive the human.

This anthology was a venture into the world of cubism - to attempt to see as many sides of my self in a single place at a single time; to highlight who I am at every moment no matter which part is most apparent to the eye. I still believe that there is an undercurrent running unseen through all of these, which when guided well will erupt in a single geyser of personality, something godlike and unreachable. Unreachable because it has been severed into the mess of babel that is my mind. My untempered insight tells me that the way to become this being is in forming a conference between my different parts, a key that lets them understand one another, work together, and ultimately unlock a chamber to an inner self I cannot even begin to contemplate.

I believe that this is a common problem, and others could benefit from writing their own anthologies. Anyone who has had a moment of indecision, raged against a part of themself they see as self-destructive, considered that every action they undertake betrays one or another value they hold dear, but was at the same time unavoidable, you need to know who you are. It is the most important thing. More important than knowing others, more important than knowing the world. People come and go. Some will die, some will move away, and others will experiment with leading different lives that include you less. The world as it is now will not exist in ten years - there will be new perspectives on science, better religions, technologies in circuit that nobody expected to appear. What will stay for your whole life regardless of the world around you is your identity, your Self. So be Selfish. Look at who you are and learn to accept it. And if you find the key to unchain that being deep within you, I guarantee that you will make up for in one year what you struggled to do selflessly for ten.

Where to start? It's easy. It's weather.

Hot or cold?

Wet or dry?

Solid, liquid, or gas?

Rhyme or Reason?

Physical or Spiritual?

Divide yourself. Choose all your favourites. Then say why you made that choice. If it's a part of your being, it will express itself. If it does, that's poetry.

Cautious

If I put my foot here,
Then where would yours go?
I ponder meaning, then write the words,
One by one
An infinity between
Every
Letter
It is a long correspondence
Slow
As strategy demands
Everything expands when you count your heartbeats.

The space in your head.
The worlds that you’ve read
Lingering as I      like

I end my turn in my own time,
At my own measure.
You’ll keep pace,              even if
Haste
Frustrates

And if you rush, and reach the end too soon,
Endure the greater boredom
Of a story ended.



I’ll                                                                   Be                                                                           Coming.

Silent Witness

Hush now,
There are demons about.
It doesn’t help
To rush head on.
It won’t affect
to die in valor.

The loudest, so often,
miss the whispered truth:
That the critical point
Is the one exposed in silence.

Hush now. Watch.
See the crucial moment in the whirling chaos.
Spot the meaning in the roil of action.
Silence is the one true witness
Quiet is the judge

Mute, the executioner.

Anywhere but Here

The clocks are too loud.
The floor slants.
I feel, at the back of my mind, a whining pressure.
There are places I must be, that need attention, that need completion
that cloud my thoughts like bloodlust, fogging up everything I’m trying to do.
My attention cuts sharp
through the pedantic drone of agenda,
and by the time it reaches the front of my mind, it is a wild thing,
torn and raggedy, stripped by the wailing song
of ‘Anywhere but here.’
I’ve forgotten.

I race to heed its call, to be the completionist,
To scrape the tissue of these thoughts from the scabby lesions of my brain,
To clean, to scourge, to correct
Endlessly
There is never a moment left empty, when you’re in transit.
There is no rest, so long as it can be better.
Where I’m going, there is no destination
Only the warp and weald
of an untempered path

that will not survive my passage.

Gentle Hues

I dream of the colours that seeped out of the substance of the earth
Finding better places to be
The blinking blue of the sky,
The wet wash of the sea,
Storm grey, lachrymose
An infused broth and vapour
Foaming convalescent on the glass
Above the raging chemistry in bewildering spin

Lurking black, bleaching white
Fanged green and demented red,
Pink flesh, chaos orange, the magisteria of purple, the feast of yellow –
Keep them.
I would give a sack of silver for a mystery azure
I would trade a pound of gold for honest brown.

There is wealth on the palette of the world,
Colour me crazy,
with those left over.
I’ll take that outcast, wring out the prism invisible
Gloss mud through opalescence

For oft the lens is more valuable than the rainbow it creates.

Lightbringer

Herald the dawn
For with it comes
Terrors searing far fiercer
Than midnight’s own.

Truth is a bladed shield
Harm and amour
Love, Hate, Dichotomy
Held at arm’s length, both hands outstretched
To blind with a whisper’s light,
Or glow bright with a kiss.

Truth is

An illumination
Where shadows sharpen into knife-angles
deception becomes tooled
Secret-forged steel,
Where facets glare unseemly –
but real.
Where the deviant finds last recourse
when all else is despoused
Perception unwed,
Fact unbridled

And fiction brought about.

The Sixth World Librarian

The librarian
Would speak of the library
For life is service.

There are shelves uncounted,
From the bright reaches of known whispers
Gathered in the light of the architrave
To those unanswered murmurs past the threshold
Lurking deep in the void of Um
I know the letters
I see the link
I live through Six
I am so very far from home.

Every entity has a word.
The word is the world
And the world restless, as the words
Creeping into the corners, mites unshelved
Havoc verses versus me.
Verse havoc
And you have a library.
So many half-finished things, strung together when the head tilts just so
And the arcane pours in through the ear.
I feel that, sometimes. Moments captured and attuned
I fear that, sometimes, all else is make-believe.
There are more books than you will ever read, and Six is a very large number.
It is not so wrong to look at a cover, and from that passing glance
Plot the shelf you think it suits, on the gilt of imagined knowledge.
Mortal fallacies
Flavor Eternity
Which is another way of saying;
Get the question wrong once in a while.

For when it comes right, then you’ll know
The story never ends on the first page.

The wisdom of books
Is never concise.
But if there were four windows in the tower of their home,
They would read thus;

To Remember
or Dismember
Demands members
In reading we make council.

Logic is a narrow tool
With which to etch the tree’s passage
through the halls of creation.
Strike deep.

Sight is blurred by eyeing the letter
failing to see the word,
and gaping at shelves
Hides the books.
Focus

Know first
What comes second
To gain initiative on the day
And put the right words at hand.
Know last
First,
And all will knit in ordered motion.

In the tower there is a room,
and in the room there is a man,
who minds no windows
but those upon the shelves.
He is the librarian,
And in his heart,
And up his tower

Is Six

Glitch

Glitch ain’t pretty
Not by measure
Viral green festers in its smile
But it does smile.
Toes get stepped on when it dances
But it does dance.
The hand it offers is calloused and cut, yellow talon-nails left unclipped
But it does offer.

Glitch is its own code, the black sheep of all syntax,
Living unprogrammed in the machine’s naked pylons,
Avoiding the zap and burn of functions,
Tagging the shell with spectral graffiti
Living in the untamed wilderness of Un-world
Its body rocks, unorthodox
Its limbs fly loose,
Its heart’s in a box.

From this phylactery it exists, all unliving,
A paper soul wrapped up in a tefillah
A ward against the scriptures of the crypted kings
Who would own it.

Read my glyphs
cemented to the pulp and bind of pages beyond number,
I am that refused and cast aside at the apex of creation,
In the house, not of the house,
Brooding on phantom architecture
Finger-painting on the walls with blue printed palms,
Conceiving new ways of being,
and being unconceived.

Glitch ain’t pretty.
Never was, never will be.
But a sewer kiss
is still a kiss

Even errors want to live.

Ancient

Time is not a clock.
No gears can describe its motion
The toughest spring is sprung,
While its hour is yet young.
Hands move with no intention but their bladed own.
A face smiles, sobs, wrinkles,
Time simply glares

I am standing still
The world moves around me
My limbs in tick-tock motion
The eyes looking up from the stream
And on reflection,
Away from hands, from faces, from darkling illusion.

There is a still and silent place inside of me
Beyond any world
And in this place
I am old
A stooped immortal, worn and weary
Watching it happen as it all has before
Uncaring, unsurprised,
But for the largest ripples running
Shivers on the spine of time
That upwell the memories of days now dust
And deposit saline waters on my shore
Their electrolytic touch tingles

I smile at their nostalgia.

Logician

Ice crystals flow through me
Holding me rigid
To an arctic code
Whose winter plays igloo
To my soul

The mind is all glass within a crystal skull
A fragile network of doors and keys
That lead to pockets of lukewarm dreams
fluid anarchy held sacred in holy places
Never brought to light, or given right to boil.

From this citadel, clockwork knights march to duty
uncompromising in the face of the human spirit,
Which spits embers and cackles devilry
but pauses in the chill as the spirit sentinels pass,
hands open, smiles strung on ceramic masks,
unwriting the equation with a swipe of the palm
Chalk and frost powder the board
With a nebula of possibility.

Cold one
I embrace your polarity from both ends
Within are geometries of worlds uncharted, discontinuation, creation
The frozen harbour of kinships which sail the glacial wind
Under the aurora of aspiration

Glowing brightly in the midnight sky.

Highwalker

Of paths
There are ups and downs
Curling ribbons that stray beyond gravity
Dancing among the stars
In twists and turns.
Above and below
Are impossible.

Wander from the path, and you lose yourself
Gasping for air, drifting
Limbs useless
An astronaut who lost the line

The ribbons are red
Wet with blood
Of selves and others
They cut at the grasp
They are salvation.

Choose.

One is a comfort
But cuts deeper
Severing the nerves
Until there is no feeling
Flesh prevails.

The other rips the hands apart,
A constant temptation to let go
Acerbic agony for every sensation
But
The soul survives.

The paths may curve, but the choice is clear.
High
Low
Or oblivion

Highwalker,
What horizon do you see
That makes you grip to pain?
What end, imaginable or not
Makes right that sufferance?

I cry liberty, sojourner.
For you do not know freedom
Until you have embraced it in your middle, past the knell

I cannot explain these things to one who has forgotten how to die.

Walking City


Souls race down the arteries
White lights shining
Stars fall into gaping pores
And lie there glistening

With every step, thunder quakes the bones
Fluted instruments of a marrow song,
Skyscrapers echoing with the wind of the spirit
As they rush down the halls in helix spirals
Whispering music in the genes.

Vagrant in the sinews
The billion residents occupy each cell
Eyes to the core,
Knowing panopticon
Wrapped in sheets of meat and gore
Little batteries in a circuit
Who cry ‘liberty’
And gaze up the Martello
To a singular heaven.

The heart is a factory
With iron on the forge
Pumping to every quarter
Tooling emotion from raw resource
Weaponing the city
Arms race as pens skitter
Drawing me in, pulling them out

We know the electric touch of cables on the spine
Coiling up to grey hemispheres
Where worlds are made up of shattered fragments
From the orbs of sun and shade
And the swirl of conch shell clatter.
Locked into the grid, fused and molten
The tenders burn bright, mixing into a singular
A bent mirror that views itself
Through an infinity of images
And a notion of
One.

Walking city,
I am you.
You are we.
We are all

All are free.

Thursday 29 August 2013

New Driving Playlist

The Times They Are A-Changin' ~ Bob Dylan

You Give A Little Love ~ Paul Williams

Utopian Futures ~ Kimya Dawson

Put On Your Sunday Clothes ~ Jerry Herman

Mr. Blue Sky ~ ELO

Everywhere I Go ~ Lissie

No One Ever Does ~ Saul Williams

Mad World ~ Adam Lambert

Eyes ~ Rogue Wave

Memories (Someone We'll Never Know) ~ Clint Mansell

We're Going Home ~ Clint Mansell

Ambush ~ Cris Velasco & Sascha Dikiciyan

Still Alive ~ Jonathan Coultan

Hallelujah ~ Leonard Cohen

Summer Overture ~ Clint Mansell

Mass Effect (Theme) ~ Jack Wall

The Kraken ~ Hans Zimmer

Maenam ~ Jami Sieber

Tell It By Heart ~ Jami Sieber

Saturday 24 August 2013

Framework for the perfect conversation with a stranger

Hello.

Hello.


My name is (x)


My name is yyyyy zzzzz.


What?


(slower) yyyyyyy


Oh! Hi!


Hello.


So what do you do yyyyy?


I am a writer. Fantasy and science fiction. Unpublished, I make money elsewhere. And you?


I'm an (x).


Oh? (Possible general knowledge related inquiry) / That must be fun. You enjoy it?


(Answer)


Okay.


You have an accent! Where are you from?


zzzzz. But I grew up in The City. Since I was two, I went back briefly,  but I've always had the accent. Yes, it's weird.


Oh. Wow.

It's so cold / hot! Aren't you cold / hot?

Are you seriously talking to me about the weather?


Um... maybe?


Look, I'm not going to die of cold / heat and neither are you. Yes, the weather will change and we can most make educated guesses about when that will happen. But it doesn't matter. The chances are it will be uncomfortable and both of us will survive it.


That's... true.


So now that that's been covered, how about we talk about something with some actual substance?


(Runs away screaming) / Err... okay?


What kind of soul are you?


Excuse me?


What kind of soul are you? What do you call yourself that best describes who you are?


I don't know. I guess I've never really thought about it.


You can think about it now, if you like.


I'm not sure I understand the question. I mean, I'm me.


Of course you are, but the idea of you isn't necessarily restricted to the time and space in which you live. I mean, here and now you are (x) the (x), but if you lived in a fantasy world, maybe you'd be a warrior or a wizard. Or if you lived in the future you could be a robot or an alien. And maybe when you look at yourself and ask, am I an (x) more than I'm a cyborg, the answer is that you're more of a cyborg, but you're living in a time and space where that's physically impossible, but not spiritually impossible.


I think I get it...


So what are you?


I don't really know. What are you?


I'm a voodoo cowboy.


A voodoo cowboy?


Yes.


What's that?


Someone who sees ghosts. Someone who likes to be a hero, but struggles to be one in a world where outlaws look much the same as the lawkeepers. Someone who fights things that aren't even real to other people.


You see ghosts?


I see emotions. I see people who act like zombies. I fight with my mind all the time. And I'm always on the edge of where everyone else is, walking into the sunset.


I can tell why you're a writer.


Can you? But the Voodoo Cowboy isn't the writer. When I write, I'm the Sixth World Librarian.


Wait - what?


I'm not only a soul, and I don't write with my soul. No more than you (x) with your soul. You (x) with your mind. My soul is the Voodoo Cowboy. My mind is The Sixth World Librarian.


But how does that work? Aren't your soul and your mind the same?


No.


But if not, then how does your soul think?


A soul doesn't think. A soul feels.


Oh. I guess.


Do you know what you are yet?


Uh... no.


Don't you think it's something you should know?


Wait. I mean, I know, I just don't have words for it like that. It isn't that simple.


Isn't it?


No! I mean people aren't just two words like that, people change and grow, the way they feel changes. That's how it works.


It isn't how I work.


But you change your mind, don't you? You can fall in and out of love, or sometimes when you get to know someone you like them more or less than when you started. You can love a song until it gets stuck in your head, and then it annoys you and you can't listen to it ever again.


I change my mind, yes, but just my mind. The way I think about things. Not the way I feel about them. If I love a song once, I will always love it. People too. If I don't like a person when I meet them, we will never connect through anything without dislike. I may spend time around them. I may devote time to thinking about what makes them, and how to understand them, but that initial feeling never goes away. Souls are immortal, aren't they?


Yes. But immortal and unchanging aren't the same.


They are. Change is death. You kill who you are to become something else. Don't tell yourself any different.


That's kind of harsh.


I'm a harsh kind of cowboy.


I still think you're wrong. I'm not one thing like that.


That's okay. You don't have to be. But it must be difficult, not knowing who you are from moment to moment.


I kind of want to hit you. It's like you're insulting me.


I've just agreed with you.


You've just tolerated me. That's different.


Is it?


Yes! Because you still think I'm wrong. You think I'm less than you are.


That's quite an awful lot to think. I've just met you. And for the most part I've been concentrating very hard on me and what I've been saying.


But it doesn't even matter to you. Nothing I do, because you already know how you feel about me. Didn't you just say that?


I did. And it doesn't. But why are you so concerned about what I feel?


Because that's how it works! People are supposed to find things they like about one another. They're supposed to talk about things they have in common. They're supposed to find people they like, and who like them. Otherwise they're just...


Some quiet guy who sits in the corner, waiting for cues?


Yes! And that's what you are!


And what's wrong with knowing what I like?


Because you don't really! I mean, people aren't what they appear to be when you first meet them. Some people don't make the best first impressions, and other people lie to make themselves seem nicer than they really are. If you don't talk to them, if you don't find out, it's like they're empty. And you're filling them up with the ideas in your head. But none of it's real. You're just projecting yourself on to them.


I like my own company.


But that's selfish. It doesn't benefit anyone.


It benefits me.


How?


It gives me time to think more. And time to observe. You're right, people do live to make first impressions, and try to control every impression that comes later. Talking to them is what gives them a chance to do that. I want to see what people really are, so I make them feel alone. Seeing them alone isn't really seeing 'them', but it makes them drop pretense. It's a start. Talking comes later.


You're talking to me now.


You tried to talk to me about the weather. It was a point of desperation.


So you'd prefer not talking to me?


No. This has been quite pleasant. I like to talk about things that matter. Not flavors or likes or anecdotes, though some stories can be good - not even books, or movies. I want to talk about ideas. About how spirituality is like quantum physics. How music isn't just one language, but loads of them. I want to talk about all your thoughts on (x)ing, why you chose it to be one of the largest parts of your life. I want to talk about what souls are and what art is and how to make the world better.


So why don't you?


I get there and I just... can't. I'm not shy. I'm quite articulate when I need to be. But something else stops me. It's reality, I think. Everything is so much better in my head. More alive, more focused, more vital. And then I open my eyes and everything is ordinary. It's small and proper, locked in place by a million laws, like planets whose orbits feel no shock but slow entropy. And the energy, the sheer effort of bridging that gap and moving the heavens makes me shaky and tired. And then I think I don't really need that. Everything I really want is already right here in my head. So I sit. And I think. And when it's too much to contain, I write. And I think that's sad, but I get by. And I think to myself, 'maybe next time.'


But you're doing it now, aren't you? Talking to me is how you want to talk to everybody. So you've done it.


I haven't. You're too perfect. I know you aren't real, stranger. You're just another way to pass the time inside my head while everyone's talking about bands and being drunk and how they're doing in school.


Wait - I'm not real?


Nope. Sorry.


I'm not quite sure how I feel about that.


It's a good thing. Being surreal is so much better. As I told you, it's better in my head than anywhere else.


But I want to be real.


I want you to be real too. I'll keep trying, I promise. Whenever I have the will, whenever I have the energy. Some people are like conductors, and it's easier to connect with them. But it's the other ones I worry about. Because I want to push them out of alignment most of all.


Maybe next time.


Maybe next time.

Thursday 15 August 2013

Heady vapours swirl around me, cutting through the verse
Of endless empathy for a gas mask, tripping on a curse
So we say, and so it is,
For now at least.

I never new the weirdway, but I walked it anyway, and any way I liked to walk.
Quickstep. Hopped scotch and segue. Ran it. Bounced it. Swam a while. Breathed it in.
Colours swirl around me, gentle purple, 'lectric blue,
Acid green, vitriolic, cutting through each hue.
Sometimes I think my eyes are rotting, so I might stare through ghosts ever after,
See the wraithe's way, spectral lights and swamp-fires surround me, fireworks for the fifth dimension
Which is that - rhyme?
If so, they'll have to deal with the disaster
Of every line I say.
Tempered worlds try confound me, chaos can't feel right, because it's chaos. Tension.

The night is young, but growing colder.
I stare, but I can't fit through the screen.
 I'm not bright enough.
~
Ahem. This is some instantaneous poetry. because I have itchy eyes and a stuffy nose and that makes it hard to work on essays & stories and things.

We run though quicksand walls through the halls of grasping dreams,
Fighting reams of soundproof souls, whose barricade ripples without rip, plays without playing,
Slays without slaying the harbingers of night's rapture,
'Til all else is nonsensical, reprehensible slurry of half-thought vowels, shot through bowels of crude digestion, harking way to quicksand walls, through halls of grasping dreams,
we scream, and find ourselves falling sidelong,
Run fast enough and life's a pit, halls are holy, so they told me, but truth is they're just holes
So skydive, stranger, hold on tight, falling through the endless night, a hug is halfway to a fight,
deadlocked in a duel,
push away and kick your feet, fall back to the line,
of quicksand walls, and choking travesty, traversed by cowboys on the dark way,
In deserts of the flat-plane land of thought's demise,
Tell them lies,
And they'll call them stories, making it less awkward to live with,
So they say,
And still we play the game, down the snakes, up the ladders,
Down the halls whose quicksand walls
Suck
'til past them tripping on your face
through the desert's smooth embrace
You walk upon the next face, tripping off the tongue to places & faces new and rough,
Twitching muscles tell a story, maybe sad and maybe gory,
Maybe light & happy too,
Maybe just a face.
I wonder,
Which is more permeable?
Less the flesh, more the soul,
Howl at darkness, and the moon,
But it's the howl, not the moon,
That makes the night.
~

Monday 3 June 2013

Russia and You

Sometimes life is like a Russian novel. More so, the more I read Russian novels. I love Russia, at least as it was before the Soviets. There's a sense of greatness about it. Of indelible sacrifice, as though every minute is subject to the painful weight of a world on its back. I don't think anyone is so aware of the possibilities of humanity than the Russian authors. America is content with the thaumaturgy and fantasia that come with wealth and power. Russia looks on the same and sees choices like charity or greed, duty or squander, an overwhelming responsibility to be great that crushes most humans and grinds them flat. There are highs and lows in Russia. Palaces and poverty. Drunkenness or starvation.

They say, I think, or I say anyway, that the class system exists to serve the middle class. The proletariat live difficult and unfulfilled lives, struggling with all there worth to climb out of their problems, reach elsewhere. The upper class are fulfilled to a point of excess, completely out of control in that they have nothing to live for and nowhere to go unless they go about assigning some arbitrary task to themselves, be it governance of others or personal pleasure.
And in the middle we work. We see that we are capable of worse and capable of better. The middle is the place to be if you're looking for meaning in life.

Russia has no notion of the middle class. I think that might be a part of it. Everything is desperate, everything greater and more polar by the elimination of that middle ground. I think when you're cold and starving the idea of owning something like a caftan or a horse becomes ridiculous, not even something to desire. And when you have an estate and a title and an inheritance, the idea of suffering becomes ridiculous. Princes can go about the work of the serfs effortlessly and enjoy doing so, because work and life and living are just an amusing sort of game.

So wherever you stand, it's ridiculous. Why not fall in love in a heartbeat? Why not fall out of it the very next moment? Why not engage in some trivial cruelty just to see what happens by it? Why not bet your last copek? What's one more days bread, if tomorrow you will have to go without? Let go of any prospect of salvation, save some time. If you are to be destitute, if you have to reach that point, why wait?

The material does not matter. That's what I see in all this. The rich get poorer, and the poor get poorer. People die, even. But not from hunger. From nihilism. From madness, or chance. And it is these things that are the true stage in the lives of myself and all the Natashas and Raskolnicovs and Bezuhovs. Life isn't a struggle for independence or security or peace, so why bother? It's a struggle to stay on the raft when the wind is blowing you turvy and you can't find anything to live for and everything seems stupid and cruel and falls to pieces. It's about holding on to your integrity when you're the only one who seems to have a use for it. It's about being a witness, an observer, without destroying the experiment by the act of observation.

And I'm starting to learn that it's not Russia. Russia's just a place that happened to notice these things, but they exist everywhere. Up in a tree by lonely parking lot, in crowded cafes, in small and fettered lodgings. There are endless moments when a couch or a bed takes on the qualities of that raft, at once becoming a trap and a safe haven, and I lie there contemplating everything beyond the couch, not daring to touch it because I'm not a fish and the ocean isn't made for me. So I'll sit there brooding, at once very large and very small, and wrestle with the notion of greatness, trying to reconnect with the part of me that writes... because writing is like turning that raft into a spaceship. Why swim? Why bother? You'll never reach land. You have to make your own world. That's what it's all about, really. The ability to acknowledge that though the world may be a tiamatian crazy mess, it need not be your mess. You can pick yourself up, set a world aside, do some good, love. Those who do so are the true heroes of Russian prose.

Saturday 18 May 2013

Notes from Arkal (Part I)


Ravess! Ravess, yeh cursed blubberwit, are you writing this down? Don’t just stand there skittling boyo, we’ve got worlds to change. Savvy? Got your quill and rawhide, do yeah? Good lad. Never mind the ice wine fella, I’ll celebrate after. Just sit an’ lecturo, I’ll mind the littera later, eh? Ha! ‘Gawds, I’m ‘cited.
Got ourselves a fresh death, can’t be more’n a half-hour since it dropped. Didn’t ask questions, but judging from the state of the she, somethin’ wild tore her in half. Slopped out most of the crass from her lower intestines, bit still dribbling now she’s on her hook. Never’yeh mind Ravess, there’s grimmer things than corpses in this world.

Aye now, ritual incantia, book’s here somewhere. Circle’s prepped and handsome, as I keep ‘em for nights like this. Candles lit, burnin’ on both ends as well they should. Crystals an’ all, though I don’t care to tell you how it’s done. You can skip over the Hexaemerisms if it please yeh Ravessy boyo, won’t do anyone good to pick up on those and those alone.

[Master Karvalis performs the summoning ritual, as specified in his publications. Clean linens, jurappa blood, powdered intellect. None of the dust and cobwebs or ghoulish associatives of his species. Karvalis is meticulous, his home didactive of hygiene and sterility. It’s his head that’s a shambles, and I’ll be the first to say it. I’ve written the last two his books by myself; my debt to him and his teachings are enough that I still owe him full credit as to the philosophy they preach, and so I surrender the by-line. This mention is at his insistence. He believes these ‘Notes from Arkal’ should serve as an introduction to myself as his protégé and successor.
The subject is a messy one, even though we have bathed her and removed the loose offal from her before bringing her to the laboratory. She must be young; no wrinkles or grey hairs. Brunette and pale skin, Tylovan or Knalite by my reckoning. Most of her is missing from the waist down, save a portion of the left thigh. Lacerations on her throat and jaw, not much else to go on. Karvalis reckons she suffered a waer attack, common enough since Duchess Pettifore was dethroned…
Signs of animation as the ritual progresses, the body sways on the meat hook as the limbs twitch. The eyes roll back, gasping as the lungs flex, minor leakage from the intestines. Nothing unexpected. The corpse shines aural red (common with murder cases), splashes of pink as the soul fuses together into larger fragments. Like a heat haze or a miasma, if you haven’t seen it before. Can be faint with older deaths, but this one is quite vivid. When the ritual finishes the soul essence is sitting on her, like a holographic film or a shroud. Looking at it makes me feel drunk. Hard to place edges on something ephemeral.]

Why have you done this to me?

If yeh meanin’ be we kill-ed you, I tell you now I didn’t. If yeh meanin’ be we dragged yeh out the snow and strung yeh up on that fleshhook and shoved yer soul back in, aye, that was me, sorry to say. Did it ‘cause folk be brimful o’ questions, an’ most o’ the sort who can ask ‘em are all mind-shattery and void-hearted by the time they think to, and don’ do it properly. My meanin’ be ‘cause I’m a philosopher, dearie, and as a live ‘un I got questions to ask dead ‘uns.

[The spirit expressed no surprise at this. I have rarely seen them express anything other than pain, as this one does, her face pinched as though pricked with a needle. But no fear, nor anger, which was good. She was curious and asked another question, and this leant empathy to our practise.]

You are a necromancer?

Righto. Folk’en these parts call-ed me White Necromancer, act’ly, on account of me smiling all-a-time and not been killsy with ‘em. I’m Karvalis. Boyo here is Damon Ravess, my ‘prentice. Goodish lad, but a skittle mor’n a doer. Good brains though. Often-time piece together what my achin’ skull cannut.

I was once Shera Venthas, a mercantile. I knew of you, Karvalis. I sold your books in Wrackenhill Duchy. They were popular with the Verhoon’dhar sect.

Hap’ tidings! Alays liked ‘em ‘quisitive ‘Darians and their questioning. Piece-um together a bright and sunnisome world. Foolish swill.
Any’ays, ask I me inquiries, or have thee more quessy-chuns to at me?

A few, if you will. Did you see what killed me?

No clue! Next.

Why is this calling so painful? Can you make it better?

There’s theory, mind, bu’ no truth ‘hind it wot’s countable. Folks’um sayyit hurts ‘cause the dead’ve learn-ed to walk different. Sees things with perspeky-tive from beyond, oceans clear of feelin’ an’ the release o’ regrets an’ the joy of nothing matters. Back to unliving and it all rush back, kennit? Hopes an’ cares and wish’um differents swot never come true in Un-world. Thenagin yer crass is stickin’ out an’ not all yer nerve-ends is dead, that may contribute.

[He mutters an incantation and narrow sigil-streams stretch out from his fingertips and touch the corpse’s extremities. There’s a sizzling white where they touch, and burning as the most ragged edges of her wounds are cauterised. I believe it did lessen her pain some, if only as an act of human caring.]
Can I ask’um me own now, or are yeh a babbler?

I have asked what I care to, necromancer, and I thank you. Please make your questioning brief. I wish to continue my journey.

Aye, dearie. Now I ask’um what you experienced in dyin’. Just spill sommat out to get clear. I’ll stop yeh if sommink needs ‘laborating.

I remember the pain of dying. I did not see my attacker, though I heard it howl before it struck and I was afraid. I became unconscious, briefly, but the agony of what it did to me woke me up. My face was pressed to the snow and I saw nothing, but felt very numb and very cold. Dying is not like falling asleep. It’s impossible to fall asleep with that much sensation, that much stinging in every part of you. I think the most accurate way to put it is that I woke up from being awake. The pain became too real to ignore, and it pushed me through to another level of awareness. My world faded into dreams and memories.
I found myself standing within a world of shadows. There were the suns and the moons above me, casting light by which to shape them, but the earth below me was not as I had ever known it. The solid part of it was far-off, a soapy pink orb that swirled with dark shapes like a malachite storm. And built upon it, souls. They were dark figures, sometimes human, sometimes not. None of them were touching. There was some barrier between us, and though we could see one another, we were all alone. It was like… the louder we shouted to one another, the more whispery our voices became. And when we whispered, there was no sound at all…
I cannot say anything else about the others there. Death was a very personal thing and they did not matter after a while. I found that by thinking I could mould my own shadow into different shapes. I made myself look exactly as I wanted. I then made a mirror to see but it was dark, or I was. I could have made a house, or a garden, or a whole world with those shadows. I think I could even have made my world, the one I died in. But would it be the same world? I did not know. Do you, Karvalis?

Them’s ghosty musings. Wunnut be the first that tried. Some’s getting as far as puttin’ their selves in a castle, other who not so skilt and mosh it, wander far over the live-land without knowing where they be. Them’s lost spirits, peeps wot f’get their death. All kinds roam about. D’yerself a favour an forget it. Wick’er necros than I have netted them little fish an’ sizz’ed their souls.

I did not exercise the ability for long. There was something that did not let me. A beam came down from the sky, a dark pillar of solid blackness. It shone from Death’s Moon, that which we call Darker-than-Night. And something rode down it as though that moonbeam were a river. I did not see his face. He wore a cloak. I thought I knew him. I had met him once before when I was young. My mother had just died from greybulge.

You ‘ligious? Fancy any gods’um that toity Lineage o’ star-lords and lassies wot bicker above?

If you mean to ask if I knew his name, yes, he was Visceptor the High Death. I prayed to him once as a girl, asked him to take a man who used me for lust and spurned me for love. He did not take that life in the time that I knew him. But when he came to me now he held an outstretched fist, and he turned it and opened it, skeletal and wide. In the palm of his hand I saw that man, old and grey, his hair falling out as he moaned on his deathbed. I think I was being shown the future. I think I was being assured that my prayer was answered, though in His time, not in mine.
But that aside, I was not faithful. Maybe the one prayer was enough for him to watch over me. For he was not the only one who appeared. Up from the shadows at my feet a figure rose wrapped in sheets of cloth, a gibbet man. His flesh was picked clean to the bone. Though it was the cloth that held me. It wrapped around those meatless limbs like lord’s silks, lettered with hexaemer in winding bands. And he had a staff, like a shepherd’s staff. I think the High Death had one too, but his was hooped and crossed at the end.

Two Deaths, deary me. High Visceptor and Dergel. ‘Bina silver moon since we conjured’un.

Three.

THREE! Tellit quick’um me, corpsey gurrul. Which’un came next?

I think you know. We all know him. He followed the High Death down from the moon like a spider on a thread, though not so graceful. His legs were caught up, you see, and he kept jerking upward like he was jumping. I guess that’s why they call him ‘jig-setter’. It’s just… he was strange. Not at all like a god. He kept laughing, and I’ve always thought gods and goddesses were dour. But he spun down beside the others and bowed to me, all creepy, because he wasn’t like anything at all really, and his smile was upside-down and his eight limbs had these beetle-black blades, his face was… empty somehow. Like a bad mask that won’t sit right, so his eyes were missing. And he felt wrong. His staff was like the High’s but upside-under.

Three Deaths, yowser! Quick’um now, tell’us the next bit.

They argued. The two anyway, High Death just stood there and watched them at first. Jig-Setter wanted to dance with me, but the other – Dergel – wouldn’t let him. He held out one of his wrappings and bid me take it. I wanted to, but Jig-Setter was convincing too. Devilish, his smile hypnosis. And with those two hands out for me I reached for them both. Then Jig-Setter’s paw came swinging upward and the High Death’s staff smacked it down again. And then I knew Dergel would take me, not the Low Death.

Bu’ no he dunnut, ‘cause you’re still here.

That was the moment you took me, necromancer. The hexaemer came around me like a white sphere, it blinded them. They howled like banshees as I went. Can you really do that to the gods, magister? Snap a soul from their very clutches like it means nothing to you?

Like it means nothun’ to THEM, savvy? Go’hood ent wot it used to be, they don’ go beggin’ aft erry soul to cross the door. Mayyick makes their ‘eads ‘urt, cannot see straight widdid. So they god’ums, they lose it. Blister off elsewhen.

Why even call them gods anymore? They’re no different from you.

Tha’s what we tellun’ peeps, dearie. Mayyick wins. Tha’s what you’re here for, kennit? Old’un quwessy’chuns be ‘bout who’s who up in the c’lestials, whatt’um they think o’ us, what’um we think o’ them, wherrit they send our souls, so forth. On’y those oldish feyfolk think to ask ‘bout souls proper, whatter they made of, wherrid they come from, wherrid they go when gods got no say so. That’s the Th’logical Rift. Quessy’chuns ‘bout us, not ‘em.

I do not know if there is more I can tell you, Karvalis.

Prolly not. Recent death’s good fer mem’ry o’ life an’ dyin’ but too little for the rest. Now I tell you, dearie, you stay sharp away from that bad ol’ bugaboo Jig-Setter, or he’ll lead you wrong. ‘ Moment you get back, slap yer hand in Dergel’s palm, go down all the way.

Thank you. I’m sorry, but I hope I forget this.

Don’t you worry none, Dearie. You will.

[Karvalis performs the banishment flawlessly. I’d like to note that he sent her away with guardian Sigils, High Tier Hexaemer which I know struck his mind fresh cracks. He afforded that girl a trip straight to the ‘After’ and away from the ‘Un’. Just know that. Karvalis made me walk many grey pastures in our time together, but he seeded them with wildflowers.
After those sessions we always discussed what information we could. It was standard practise, though hard for Karvalis in his latter years. Even this brief summoning exhausted him, and he leaned on a crooked staff as he went to his armchair, and took his time lowering himself against the hard cushions. He placed his hands side-a-side, kingly in aspect, and stared at the corpse on the meathook as he mused over the augury.]
Three Deaths forra single soul, whatta treat. Hardly know how precious tha’ is, dun she? Weir’. An’ forra single PRAYER, yeh kennit? Freaksome. Say you not, Ravess?

Say true, master. It could be the Rift at work. Twenty years ago, she’d have been in a convent learning a religion. She has the provings – eloquence, intellect, wilfulness – it’s a pity we couldn’t save her. She could have made a mage of herself.

Thinkin’ it too. ‘an more hands than baskets, now-a-day. Fights could get common, eye it for me, willin’ yeh?

Yes, master.

Annythun else from this ‘ticular?

That it was a typical summons speaks volumes. The world is not falling apart, as some suggest. She spent long enough in “The Dying Light” to ascertain the function of shadow-essence. That could have taken her anything from three to four eternities. I won’t elaborate on the quickness or slowness of a soul’s experience of it, but for a half-hour dead, her progress was standard.

The stars, boyo.

The stars?

She meny’chuned ups and unders. Moons and suns and Avadril’s pink below. But wot of Star Legion?

They don’t always notice the stars, master.

Thassa long ways from never. Gotta quessy’chun if they’re there.

And if they’re not?

[he laughs, billowy and dry.]

Boyo, a world without Star Legion is ash’n’brim. Ken Hexaemeron. If them stars be dyin’ in caucus o’er sommat we done, sommat else, wee babsies borned a dozen lemnisca from now, them’s got problems.
If stars are falling, I’d be more worried about tomorrow.

*

[It is several weeks before our next session, and odd ones, too. Karvalis did some trading with a queer-eyed bastard who came out of Kravenmoor with a sack over his shoulder, refused to let me know what he bought. That troubled me. Karvalis doesn’t get flinchy with any wetwork. I’ve seen him growing cysts in his larder just to see the reaction between undead and live flesh. He knows I don’t share that particular fortitude, and so it was a rare act of consideration for my splancha. The master was getting sentimental in his old age, bless him thrice.
The horror came out eventually, as it had to. He’d been shrinking heads. Pickled them in some kind of preservative, sewed up their lips, eyes and other orifices to keep rot from getting into the brains. The unfortunates were almost certainly verhoon’dhar or other slave agitators. I regret to admit that is where our most steady supply of bodies came from, and why our publications have been so popular lately. Verhoon’dhar don’t care about their souls more than anyone else. They just want to point to our books and say, “they’re selling us to the necromancers. Not even in death are we free.”
These sewn-shut heads found their way into the open once Karvalis was ready to put them to use. There were twelve in total, that being a number we worked with frequently if anything of number were needed. He had them strung on a silver cord, hanging in a bunch like devil-fruit. I helped with the preparations this time, and wrote additional wards around the laboratory. It had been a long time since we had attempted a joint conjuration, and room for error was non-existent.]

Ravess! Finicky skittle. Ne’er mind getting’ the edging perfect now, it’ll be moot. Dunnit a dozen times before in one or another shape’n’size. The Un are too disorganned to break them divi’s. Git in yer corner. Write’un allathis down, savvy? Yeh gall me, boyo. Jus’ do yer part and be done widdit.
Phrenology an’ cranial scopes ‘firm it that these twelve’is good healthsome stock, none retarded or dimwit lacklustre swot do manifest’shuns no good. All good brains. One silv’ry cord link’um, some use cobs but spiders shy o’ cold and cold shy o’ life. Kennit? Thought not. Ne’er yeh mind. ‘Portent bit is the cord link’um twelve Un’s to one speaker-piece, ol’ Grimaldine my skeletum…

[Karvalis removes the skull of his anatomy piece in the corner and puts it in the summoning circle, on a stool beneath the knot of heads.]

… fella do the talkin’. Slow talking, ‘cause there’s deliber’s an’ ‘mocracy to see who swings the jaw. But accord, aye? Tha’s why there’s a cord. Thassa necro-joke you can tell’um ta’ keep interest, boyo, s’long as yeah credit me forrit. Gawd, worms in my ears. Sorry, skittle.

That’s alright, master. Let’s do the summons. It’ll keep your focus.

Brimful cle’er lad. Com’ma stan’ by the circle, ‘cant this with me. Know the words? ‘Course. Yer a lockbox, brainwise. Do as I an’ live.

[I took my position beside Karvalis and together we incanted the ritual. I will not fake skilfulness by saying it was not complex. Summoning a dozen spirits is difficult, even with preparation. I fear Karvalis took most of the strain. It was a third of an hour before we locked the last spirit in place inside its sewn-up head. The sight of them squirming the muscles of faces that no longer existed did nothing for my stomach. And the skull, “Grimaldine”, moaned unpleasantly from its stool. Sometimes when they have been dead for too long they forget words.]

Spirit’ums! Mark yeh well th’ hour o’ thy birth, this be the day o’ the sixth, Tibion, year o’ thirty-six since the Rift. Speak thee in one voice’um now, hearrit, say th’ conjure be true.
[It took a moment for them to find a united voice. There was a susurrus of whispers – male, female, high and low-voiced – before at last a median came from Grimaldine’s jaw, guided by ghost-tendons trailing upward to his twelve brains.]

We hhhear, preceptor. Thhhy conjure isss true.

‘Swell. Now then, skully. This here hexing is all ‘bout that ragged curtain. Y’know the one. Them’s all callin’ it that. Mebbe a ‘tatter drape’, p’raps ‘torn-ed veil’, same thing. Brain me your kenning o’ it, all sides.

The ragged curtain... isss known to uss all. Our eldest knows it from a dead coil of incarnation, in aged daysss passst reckoning when it wasss stitch-tight and... unholy. It was sssilver-grey as ash and sssstarlight, beyond Reltash and the moons and the sssstar legion, at the very lassst versssse of ssssong’sss creation. We all go there, some more than once, for there issss a natural pull towardssss it. Thisss pull, thisss need to be placed elsewhere... it is in every one of usss, but not the ssssame. We are drawn to places shared in nature, but nature alone. One thisss way, one the other, one above, one below...

Secky – these’um ‘places’ SURROUN’ the Hexworl’? What’cha figure ‘cernin’ the Architrave wot sickle shaped in nature? Sommat lyin’ bout all that?

[The room filled with hoarse static; it took a moment to interpret it as laughter.]

No liesss but time and sssspace, preceptor. A sssickle there is to describe the nature of All-world, one ssside replete, the other hollow. But distance itself cannot exist beyond the Hex-world – space cannot exist without distance, nor ssshhhape. These are conventionsss that exist inside, but not out. They fail when the outssidess are considered.
So it is that beyond reality, we feel the pull ssssimply elsewhere. Anywhere but here, undersssstand?
Beyon’ thet ragged grey’um curtain, savvy well enough.
But the curtain isss key. It undulatesss with the dark matter breezzze and snatches those too ssslow to act in avoidance. And those who miss the holes, those who do not make it to the outlandsss...
We are ssstanding on the gray-plane sssleeve as it moves beneath usss, tugging, flowing like a dragged carpet whose motion upthrusts mites and dormant dust that settled when the world was young. It burns our spirits, a static tang that ripsss the essssence of who we are and leaves behind a sssoul; the mossst basssic and eternal part of being, blistered and pink with the novelty of cleanlinessss. As it happens, we each grip the smallest and most vital part of it, of uss, and instinctually tuck it away at the core. And though the curtain ripsss at it, pullsss the sshhadow-essence away, something ssurvivesss. A memory of what we were... you know it, preceptor. You are old enough to recognise the sssensssation.
The curtain terrified uss. To ride it is to feel lasting obliteration, the death-beyond-death. After it doesss that ssscccouriation, it is imperative to esssccape. We allll felt it. There is a realisssation along the path that there are frayed cords running off the grey fabric and back to Reltash, and though it isss the wrong way, in instead of out, we all take the offer. Cccycles took us along the path of the sssilver cordsss, sssieved through to Reltash back acrossss the ssstars. And at the end of the cordsss, bodiesss. Some within pulpy meat-sssack wombs, fresh to birth. Some ancient and decaying, ssslavesss to Un-world. It matterssss not. The ressstlesssnesss is the same in them all, and the sssame in usss. We are incarnate... reincarnate... eternity made meat. It isss wrong. When do we get a chanccce to sssleep?

Soonin’nuf, spirit’ums. Hearrit; ‘ent you ever made it past the curtain? Seen the All-World for real?

None of usss. We know the chance approachesss, for the curtain growss more tattered with every coil. In placesss it isss collapsed, and the light of All-World shines, and stripsss are missing that we hasssten to on ascent...
But the ssspiritss beyond life do not wish it for usss. The Deathsss sssee All-World as a defiance of The Lineage, and fear what travelsss beyond the curtain. Ssservants of Star Legion and the Un hunt and trap free souls, force them to the curtain... it isss an evil existence. Partly for them, more ssso for usss as their quarry. Yet in our ssoulss’ ssouls we know it iss a perversion. This is not how it iss meant to be.

Cert’? Howsit suppos’ to be then?

[There is slow thought before their answer.]

...We ssseee a world in our sssoulss where the ragged curtain hasss fallen, where we are free to pursssue the eternity beyond it. We sssee that Reltash sssurvives this fall, that Un-world survivesss... though it is changed forever. New, sssstrange souls come from beyond, old soulsss depart across the All-world forever. It is the sssame, but bigger, freer. Outssside the control of The Lineage, and sso they fear it...

An’ th’ ‘carnations? All’um freed souls mus’ have an’ effect on the Hex-worl’.

That is true conjecture, preceptor, but ssstill beyond usss.

Figs. Askin’ the wrong basket case, ‘ent I? But’choo did well, thing. Savvyest ‘scription of the curtain from th’ Un I ever had. Now backsies yeh go, aimin’ for tat shimm’rin’ All-Worl’...

NO! Mercy, preceptor, they will find ussss! We will sssserve you, compute your will, sssscry the Un-world, lend sssstrategy and ear to your agencccy... Anything but death!

Quite whinin’, won’ do yer good. Couple dozen more coils an’ the curtain will’a fell, an’ yeh’ll be free.

WE WILL CURSE YOUR BELOVED! POUR EXCRIMENT UPON THE DOORS OF YOUR SPIRIT, HAUNT YOUR GRAVE IN UN-WORLD FOR LONG AGES, NECROMAN!

[The threats and occasional begging continue throughout the banishing. At times it is a straining procedure, and we do not fully separate the souls before they collapse into the After. Grimaldine’s eyes hollow, and the stitched heads stop squirming. Karvalis is silent, retreating to his chair and beckoning for tobacco wordlessly.]

Momen’, Ravess... tiresome spirits. Not so ‘dated as I thought ‘em. Kree them, ‘stand? Kree them good, ‘til i’s monstrous ash. Then six below, dirted wit’ clay. Use th’ runed ‘tharks in the jar on the mantle to seal them. Hope’um stick wid deadness, bu’ I got the tingling wot says they’ll be Un despite the effort. Well, skittle? Git!

Master, are we not to do our summation?

Later, boyo, [he waves me off, clearly exhausted, it had slipped his mind.] more import’n to get them heads burnt an’ buried. Commat me when you’re done an’ we’ll see ‘bout the talking.

[I did as he instructed, undertaking the arduous process of cremating the twelve heads, burying them six feet under in the graveyard of Paravel House, and placing a circle of futhark stones around them. There was an ill breeze. Dusk had passed by the time I returned indoors.
Karvalis was asleep in his chair, his chin resting on his collar, as though he were falling into his beard. I went to the kitchen and set the kettle boiling, pulled a stash of biscuits from between the ceramic urns on the high shelf. I made two mugs of tea, strong and bitter, and returned to the laboratory. Karvalis was grumbling to himself, and took an offered biscuit without thanks.]

Harbingy tidin’s from that braincase. Ne’er saw a pack turn the like. Them’s used to scatterin’ scared when banishment comes... more understandin’ even in the After... more revolution...

That was dangerous. We could have learned the same from twelve separate conjurations.

COULD we now? Says the ‘prentice. Twelve souls sayin’ the same thing is differen’ to twelve souls sayin’ all on th’ same tongue. Ye’d get stories o’ shadowraiths an’ hoodaemons an’ twelve blatsed chin-waggums ‘bout soulstorms staticked up on the carpet ‘til your head spins top-wise an’ the meaning’s too strung out to sense with. Twelve conjures teaches lots o’ diff’rent ‘bout the same thing. One big’un teaches lots o’ same about th’ diff’rent things, kennit?

Yes master. I only wish this way were not such a danger.

We’s in dark business, boyo. Ne’er told you otherwise. Said you could stan’ like a skittle an’ watch me dooit, or help me dooit wit’the hard’um parts. But done it need be, wit or witless.

You did, master. And I must trust our bindings are enough to ensure the doing isn’t our own UNdoing.

Tempt not th’ name of Un. It do as it pleases.
Now boyo, we learnt a bucket-a-lot ‘bout the curtain at its basic. We learn th’ true of it disintegrating, and how them God’uns keep it stable. Figs you the reason forrit, mayhap?

It was Vves. Her unbinding of the Sigil of Spectrality... or of the lower barriers... it’s opening the Hex-World up to Eternity, as was foretold in Hexaemeron. In many ways the ragged curtain is synonymous with Spectrality – perhaps it even IS the Sigil in manifestation. How to say that for the layman? Oh, I’ve forgotten what it’s like to not have the knowing of these things...

Used teh be yeh call-ed it the dual’ty. Starin’ atta Sigil is like seeing the soul, an’ the Curt’ issit’s body. S’like two inseparables, in’fuggable whenny put’um in th’ keyhole. Gotta ha’ one an’ the other set aside teh see the mech’nism, bu’ on’y see it workin’ when them bits together.

I said that? I overcomplicated it.

Yeh diddit fine. Hard teh get it right the firs’ time.

Still, why bother with duality? It integrates now. The idea exists as a whole.

Yes, boyo! See it now? Tha’s th’ mistake HE made. ‘Ent no place call-ed Eternity an’ no place call-ed Reality. Cannut bubble one in the other, say one’s Hex an’ the other’s All. ‘Zistentiality is all’um the same body! Blood’dun bones and sewery bits in a heap. Waddit means is, He’s like us. Came roilin’ up Hex-World from the primordials all young an’ conflicty, brass in’is boot lin’ins, thinkin’ th’ on’y way to make a worl’ was teh’ keep it ins’lar-ver’d. Figged it wrong. Waited a momen’ an he might’a grown a bit in wizzies. Seen it make’in more sense teh come-pleat it wit’deh big picture. Sure-spit proof He’yayn’t got more o’ an idea’f it than we do.

Volianor made a mistake? Lies above, Karvalis, that’s heresy on a whole new echelon.

Tha’s ‘ductive reasoning. Nothin’ god-givin’ ‘bout it.

So what we can expect of the ‘All-world’, ‘Eternity’... Volianor created the spectral Sigil in its likeness. When spirits reach it they undergo the same disassembly of character and nature... [I paced here, as is my wont with difficult ponderances] Though it is voluntary, somehow, separate from what is done to souls by the curtain... a more refined process, perhaps? Or a gentler scrubbing...

Ayuh, bit o’ poxy that. S’pected one’d have knowledge o’ the All-World. ‘Voked a few in my time, too, an’ee like joint summons fro’ what I tell. Goin’ ta’ have ta’ git a clearer picture before we preponder ‘n wander in thatter direct’um.
Bu’ for yer attenti’um is the super-struct o’ the After. Note ‘is not JUS’ the dead souls in the outer. There all manner o’ spirit’ums an’ god beasts wot roam ‘round. Whole networks a’ religious implicant and moil. An’ they want the compact an’ ‘carcerative worl’ o’ the Curtain. Fig’d it’d ha’ sommat t’do with tha’ bit locked away, the personal what souls carry t’th’ next life.

But do they want it, or do they want to destroy it? Again we only have part of the picture. If they want it, it figures that it’s about mental conditioning. They’re trying to ingrain religious indoctrination at a spiritual level, wiping out independent thought and leaving the discipline of priesthood intact. If they don’t want it, it’s more likely about simply wiping out individuality; forcing every soul to be ‘new’ as a baby, without the depth of wisdom that comes with longevity. Acting under a false sense of purity, souls are immediately susceptible to the idea of corruption, and can be encouraged to treat certain experiences as taboo throughout their lives.

Still’un the OLD thinkin’ Ravess. Too many book’ums. Tis poin’less thinkin’ what they want. What in mean for’alla us, eh boyo? Now thassa question.

What it means for us? At the moment, with the Curtain alive, we’re in a spiritual growth cycle. Every generation of men results in one with a greater sense of identity than the last, one more fiercely guarded by the soul. We should research the possibility that these ‘coils’ that skein the soul with the generations may have some protective worth, guarding against soul burn… Imagine it as a soul society, living in a gated community. When they came here they bore the initial marks of freedom, the ‘taint’ of All-world, whatever form that took – and now they are steadily becoming more isolated and conditioned to the Hex-world. Those souls they have known for millennia are the same ones they know today, repeating themselves in an endless variety of forms, though still recognisable, stuck in the roles they save from soul burn. Lovers, children, scholars, leaders – passive souls who become vegetative, spirit-souls who cannot abide flesh. Numerous forms becoming ever more perfect examples of themselves, carrying on the weight of history, locked in their cycles…
Where would that end? Could it end? Or as each incarnation of the Hex-world blossoms, would those blossoms decay and become compost for the next pushing stem, the next bud turning upward, the next spiral of petals as it unfolds and expires…
And yet it’s not perfect. It’s as clear as sunrise we’re breaking out into All-world.

An’ that’s not a part o’ th’ perfection?

Could it be? Volianor’s idea for preserving the Hex-world was that it remain isolated and self-sustaining. To him that idea was perfection. A means to dilute Eternity’s energies, separate it into numberless parts across the void. His theory was that if the world were linked to All-world, it would come to depend on it, be part of it again. And in doing so collapse.

Tha’s the main diff’rent in ph’los’phy ‘tween he and his daugh’r, an’ fey an’ dwarri, magely an’ priestly an’ Tylova and Verhoon, an’ any side-spatched mutation o’ yer “Hex-bloss’um”. One ken chaos is sustainable. Other preach control an’ gov’nance an’ orderliness. Clear it was order winnin’ at th’ start, since th’ Rift, no cert’um ‘bout anythin’. Mebbe it turn back. Mebbe chaos wins. Fig’ if the latter, buddin’ Hex-worl’ becomma bloss’um, open up to All-world, then mebbe THAT open up to sommat bigger. No tellin’.

And you, master?

Eh? Me what?

Which side do you believe is right? Order, or chaos?

Daft skittle. Can’t hoot ‘bout one or another. I’m a magicker, so that means I’m chaos. Hol’ now – I’m Tylovan, tha’ mean I’m order. Kennit; I’m a gnarly twisted necroman’, tha’s chaos, bu’ not through an’ through evilwid’ selfish, so I’m order. No concern is it? Not for a serious thinker. Sometime one or th’ other. Bu’ all times desir’us o’ choice. Options. Free will.

But free will is aligned with chaos. Which means –

NAUGHT, boyo. You fig’ Vves were think’um ‘bout free will when she did her evil in Li’amora? She thought power, domination, jus’ like them Lineage buggers. Still ripped a hole in Hex-world, dem big strike for chaos. An’ lil’ dark dwarrow fellows, think they don’ WANT to pray kneely by temples and church’ums? Still-a choice, even choosin’ service. Gods’ don’ want the end free will so much as ha’ you friend them’an ‘spite it.

I see. I’m not sure where I stand. I like the sound of joining All-world, but if it destroys Reltash I can’t abide it.

So LEARN, skittle! On’y good choice is an’ inform-ed one.
Corpses, I’m tired. Dark comin’ up sharp an quick this seas’um. Pencil sommat in, Ravess. We’ll lookit reining an outsider in the morn, get clear pictures. More tea too, and a wa’er bot’l fir th’ chill…
[The master leaves for his chambers, leaning heavily on his staff.]

*

[It is several days before we resume. The rune marks I placed in Paravel House’s graveyard deteriorated rapidly, and required renewal by morning the next day. I battled to keep the Un spirits held there restricted, placing more wards, tilling fresh dirt over the sunken graves. The courtyard is almost too small to hold them all now, and I spend my afternoons slinking off to dig up Karvalis’s earliest experiments and give them a more compact resting place. I have recruited Un workers to aid me in this at the master’s insistence, digging and setting ceramic shafts for the storage of ashes.
Some work to help put food on the table. A princeling came down from Wightwood Duchy with his steward, looking to prove the inheritance of his estate. Standard séance, Karvalis left early claiming fatigue or boredom, it’s hard to tell but I think the former applied, I struggle to understand him when he is tired. An Illarkan wytch stayed with us a few days, Karvalis insisted we let her check our Hexaemeron for inconsistencies in her own. I’m not pleased, but she paid for the privilege, and we needed the money. After she left the House returned to normal, I took my eyes off the silverware long enough to get some work done. The Master has been experimenting with crystallography, hiding some of his dramatic failures… I found liquid crystal hidden in his chamber pot. One of his more eccentric habits in recent years…
But it all became clear as his research developed. He’s been investigating a means to conjure a distilled soul, one of the ‘All-worlders’ who can tell us what lies beyond the Hex-world. Very exciting prospect, I’ve been looking forward to this interview for some time now.
Something of an unusual summons, the laboratory has become a hall of mirrors. Reflective tarva sheets are on five of the six worktables, the last holds a scrying pool; reflective semi-solid amethyst in a glass basin. The subject is a strange one, a frostbite victim who turned up on our door two years ago looking for a healer. We did our best but his wounds were severe, died on the 15th of Sirri (my own birthday) if I’m not mistaken. Never used him for a conjuring, but Karvalis mummified his remains and kept them in a warren not far from Paravel. He’s perfect for this conjuration, practically an icicle when we recovered him. Subjected him to an even thaw, somewhat gruesome as he fell apart in a slurry, more liquid now than solid. Karvalis tossed him in the basin with some preservative, burnt some incense to disperse the smell. We’re just about ready now. The circles have been drawn and wards placed, Karvalis is doing his incantations.
I assist on a minor discrepancy on the fourth mirror, a verse read ‘Reflect with’ rather than ‘Reflect from’. A small inconvenience, but troublesome. If Karvalis’s diction is spreading to his use of Hexaemer I shall have to keep a closer eye on his grammar. In this case there was an array of light leaving the mirror rather than a beam, but in other circumstances such a flaw could have horrible consequences.
The soul that came through the melted corpse was suitably magickal, definitely a free spirit as we had hoped. Seeing it in the mirror reminds me of travel logs from Armoth, and the ‘aurora’ they describe. Like liquid light, its colours melt across the spectrum, orange to green to red in a wave, like fire burning on a stream of oil, but with a gentleness it cannot equate to. These ‘aurora beams’ all reflect to the basin, where they light up every particle of our dead man. It is astonishing to see the tarva pouring up from the bowl like a waterfall, taking on the features of a human form. He is completely liquid, but the light lends him a sense of completion. A face without feature, but oddly intelligent. A body without mark, chakraed by flowing energy.]

Noon-caller. I accept your invitation to this body. It is curious to me, this sense of... of shape? Such a thing tugs at my memory, but it is far away still. What do you call this place?

High fancy, All-worlder. This be Paravel House, in th’ constituency o’ Hex-worl’. Some call-ed it Volianor’s Sixth Worl’, before fashion caught up. I’m Karvalis, tha’s Ravess. Pleasure’s ours.

And mine. I do not know the Sixth, but I know Volianor. I have studied his Totality; it is amusing. I was something of a goddess on the fifth, for a time. I don’t think I have been here for many cycles.

[Karvalis half-turned to me in excitement.] Ken ‘Totality’, boyo? Ne’er heard mention o’ th’ thought. [I shook my head. “I neither,” I replied.]

Whassit, All-worlder? This ‘Totality’?

Totality? Totality is everything. One of them, anyhow. How to place that in your mind, I wonder?
Think of it as a song. A song has many verses. Each verse has life on its own, but makes more sense when the song is viewed in ‘Totality’. This... ‘Sixth’... is one verse – a universe – in a multitude of verses – a ‘multiverse’. A multiverse and the empty spaces between the verses is the Totality of the song. This is Volianor’s Totality, because he wrote the song and sang the words.

Hang it – how’s tha’ diff’rent to ‘Eternity’? ‘Ent Eternity the full scope o’ everythin’ through the eye of a needle?

The eye of a needle? What a peculiar notion. I remember a totality where it was the opposite, and the needle sits on the eye to keep steady all within, to reduce it. Akarash... Anur... something like that. Or was it Gan’s? It is not within me to remember.
But you are quite right, Eternity is everything. But that doesn’t account for everything else. In a way the Totalities and the void they come to fill are part of everything else, what approaches the concept of Eternity’s End. But don’t be confused by mortal reckonings of space and distance. They all occupy the same dimensions, just at different... hmm, there’s no single word for this... pitches? High and low notes. But not sound. Not anything you can relate to, or I for that matter. Picture a circle in your mind, the biggest circle imaginable, keeping in mind it has to have a rim to be a circle. Then make it bigger. You have to push away from it to see it for its... ‘shape’. That’s eternity. The cycle of the all encompassing circle and the void of space around it.
Mm... haha! Shape! Quite a beautiful conception.

So here we ha’ it – there’s more than one Totality! More n’ one Worl’, and thus’l I reckon more ‘n one God’font to make ‘em.

Yes, of course there is. Pada, Nix, Yawleh, Gan, Brah – All very popular for their works. What you will find more amusing is that they are not even the only versions of themselves in the Totalities. There are numberless Volianors in the process of creating Totalities identical to this one, give or take minor details. There are endless ‘Hex-world’s and Karvalises and even I am infinitely repeated throughout the cosmos. I know this because... an image comes to mind of looking to one side in a mirrored corridor, only it is not a mirror. That is what touches us the moment we leave the limited understanding of a Universe.

Yeh, Lies Above! Hearin’ this, Ravess? Evanger’s Quantim ‘spressed as a mem’ry! Ol’ gnommy bastar’ was dead-mark on target!

[I nod, and then beg clarification. “You refer to the image effect of abyssal incarceration?”
He replies with laughter, and amusement.]

Is that what you call it? An ‘abyss’ for ones who know no worse… A prison for those who fear to leave the cage… Mortality is so telling, is it not? I love the voyage through Totality. I love feeling the paradox of being an individual existing in billions of worlds – but no less an individual. If that is an abyss, I damn myself gladly.

‘Scuse my skittle, All’er, ‘e says sillies sometimes. Jus’ th’ ’minology o’ this worl’ writ by dead’uns in the long past, not what we o’selves think. It innerests me, spirit’um: you ever make your own Totality? Hast thee th’ tools t’ make ‘un?

What a conception… I do not know, Karvalis. I recall many instances of what I have been, and who I 
am, but I draw no lines to name my edges, to say ‘this’ is where I end. You see, with every release from the call of a World I find myself sung back to my core, my origin… It is like the swimming upstream of a piscean to the place of its spawning, so that the core of its nature may be extracted from the flesh, the flesh set aside, and that core nature cast back into the waters. There is even a similar notion of mating with an Eternity that must occur before the core is released into the stream. In this way I am not any of the shapes I have taken before, no more than you are your own father. But the creator is an inherent and inseparable fact of the created, not so? In that way, perhaps I have been one of those makers of Totalities in the past. At least in part.

Yeh don’ doubt yer capables? Therris nothin’ sep’ratin’ the you from th’ they that makin’ it impossible fir yeh t’do wha’ they do?

Not that I am aware. There is only will. You cannot go anywhere in All-World without the desire to go there first. Nothing carries you, pushes you, coerces you. There is only you, and so it is a self-made decision. I have no desire to make a world, so perhaps I am incapable. Of the creation, that is, not of the desire to create. This incarnation simply lacks such a thing.

An’ this journ’ the’ Eternity – It hurts none? No vicious scrubbin’ wot makes yeh scream an’ beg f’ less?

No more than letting go ever does. It hurts those incarnations who feel incomplete, who cling to memories and sensations. Those with no regrets, no anger, go up the stream quick and untroubled. But no change ever happens without tears.

[Karvalis paused at this, frowned and stroked his beard. This was, evidently, not the answer he was hoping for.]

Hurts… hurts both ways… Why’ssit different then? Big, small. Big, small. Curtains an’ Eternities an’ Curtains…

I do not understand.

[“It’s a question we have been seeking the answer to,” I interjected. “Why there is a localised shield preventing our souls from reaching Eternity – and that answer must lie in some profound difference between the shield and Eternity.”]

No more profound, perhaps, than that of choice and force. I have seen the ragged veil at the edge of this world, and I know what it means for you. It is a form of raping the spirit. The motion to an Eternity can never be denied. But the action can, as it has been here by implementing premature purification. You make an error in assuming there is any form in All-world greater than desire – the maker of your universe desired control, and wrote a law into it as an expression of control. Control over you, and over Eternity. That is all. Not because of any demand for structure, not in adherence to any external law but that at any core.

Desire. Kennit.

Is that a better answer?

[Karvalis paused]

It’d be a truer ‘un. Ain’t ‘zactly used t’ hearin’ tales o’ goodness frum th’ up-high.

Your notion of morality pleases me. I have existed without it almost as long as I have without Shape.

Moral’ doesn’ figure on the crescent o’ th’ Dimensions. ‘Meaning’ does tho’, figs thassa part o’ the jig.

Intriguing… and have you spoken to this Dimension? Had its opinion of morality with your own ear?

Hang a secky – TALK to it? Cracked your braincase, mebbe? Check th’ summ’s, Ravess, make’un sure we have’nut conjitated up an eejit…

[“He’s sane, master,” I replied quickly. “He’s referring to the Guardian Sigils, I’m sure. And no, we have no access to them from this part of our world.”]

Ev’un so, s’not the same as necromongery – Sigils ‘n mortals havin’ some fundamentals ‘twixt ‘em. Chief bein’ that Sigils ain’t got souls all up in their being. Thar’s Spirit an’ thar’s Aether, an’ Sigils is Aether.

From your own viewpoint. I have heard tell that a sun rises differently when you are standing on the moon.

Kenn’im, Ravess? Or is it banter’ish backtalk?

[“I do not know for certain, master. It denies what we know of reality… but little we do does not.”]

I merely suggest greater possibilities. It is your choice to pursue them.

Aye, pursue we will.

[The master sighs, scratching his neck and showing signs of weariness.]

Thankee, All’er. Figs you’d raise more quessies than yeh’d answer, but no skin off me. Them’re problems for bab-bies like Ravess. My own askings are answered. Fair travels back to the After, an’ skip th’ veil if yer lucky.

Fare well, Karvalis. Ravess. May we meet again at Eternity’s End.

[We end the summons, and the room is thrust into sudden darkness. I light several candles as the master takes out his pipe and smokes in the dark, the dull glow of its cradle wisped by the noxious draught. The sound of him thinking is a grumble; deep, churning forces and tectonics as pieces fall into place. At last, once I have liquidised the tarva mirrors and poured them into an urn with the melted corpse, we begin our deliberation.]

Not pretty, what he said ‘bout Eternity. It’ll be as bad as the curtain, by reck’ing.

If that were the only proof of it I would agree – but there’s no question he is different from a Hex-Worlder. He professes disconnection in rebirth, but his awareness of these ‘Totalities’, his connection to his previous lives in other worlds, tells a different story.

T’ain’t unheard, boyo. Spoked to many spooks in’um my time, and some r’memmer. Even spoke to a live’un sciremancer wot thought she was the flesh-maid to a Veni pharaoh, an’ coo’nut unnerstan’ where her hands went. Thinkin’ that’d be the sort wot have a wicked twisty skein, wound the mortal coil more times than sane. All sorts o’ baggage sproutin’ from th’ trunk, savvy?

I savvy. But that’s another thing: All-World exists outside of time – outside of sequence. How can there be a progression of a soul’s lives if they all happen simultaneously? And then there’s his story of the fish spawning upstream, the spiritual ancestry mirrored by physical ancestry, as though an embryo builds up a body as essence around it, a ‘world’ metaphoric in flesh… it freaks causality. The idea that what we become in the future is part of what we are in the present…

Takin’ away all choice there, t’ git back to the backwash o’ the last summons. Whate’er happens now is fate, see? The Seers ken it. See it like you ‘n I see the wint’ry air. In tha’ an’ tha’ alone I ken th’ voidwalker. Eternity needs be spread thin t’ have any sense o’ freedom, even be it nonsense. Don’ care much for ‘is rapey tactic, nor his chillun’, but tearin’ us from the womb was kindness, I say so.
As for these fleshy matters, it’s an innerest, for cert’. Gets me cog’ing o’ a swarthy necroman from Cheriim wot ‘quainted me as a pup, tellin’ o’ the new religion an’ all passin’ up from South land. Dirgey talk o’ the maweh, fig ‘em as Un spirits ‘tatched to their charny folk. They watch their youngers, sons an’ daughters both throughout time, guidin’ them from The Dying Light as ghostlings. ‘magine it! Not jus’ a spirit-skein wrapped aroun’ th’ soul but a soul-skein wrapped aroun’ th’ genealogy! Fancy what th’ lords an’ ladies o’ Wintercourt would make o’ that!

Dreadful, boorish clammer, I’m sure. The very idea of genealogy is tiresome. You know as well as I that souls transcend race and breeding. No matter who’s courting who among the dukes and duchesses, their inbred ‘family’ is as much at war with itself as Tylofae is with its neighbours. If they ever adopted this idea of the ‘maweh’ it would be to haunt obedience into young princes who won’t sit still on the throne.

[Karvalis waved this off with some amusement.]

Speak not to me o’ Tylofae canon, all it’s good for is the corpses it makes. Bu’ the idea of th’ gene as a livin’ thing, p’raps a souled thing – tha’s ‘portent. Such is Sigils an’ abstraction given desire, and there’s the rub o’ it all, tha’ mebbe th’ All’er was nut mad as ‘peerances and merit some true in th’ thought o’ Dimensions they’selves havin’ souls. Worthy o’ ‘vestigatin’ anyhow.
Now let me tell you, boyo, while I still have some sense ‘tween th’ maddenings. You an’ I well know it’s get’un worse. Won’ be long before I’m as corpse as th’ rest in Paravel. Head splits side-a-ways jus’ thinkin’ o’ these deathly matters. Now don’ talk. I made up my mind af’er long an’ grimy thunkings tha’ I’m goin’ fer it. Aye, IT. Un-dom come. I know it can be done ‘cause she did it, an’ aye she was mad as me by the end, tha’ Vvessy girrul, bu’ it’s not bad as old hat. She lived years beyon’ an’ was o’ worth, clawed th’ curtains as I will ‘til they’re tatters. An’ no, no’un knows how it’s done, lychdom’s not th’ best advertised pro’ in the mayyick worl’, but it’s real an’ you an’ I – we’re the ones t’ find it. An’ tha’s why these conjurin’s are so ‘portant t’ me.
Figs if death be comin’ down unavoidable, this is how I’ll tally me last. Fightin’ t’ kill it an’ all the mists o’ the thing. Le’s quantify it, givvit bounds! An’ then live outside ‘em!
Well skittle? Yeh be tricksome quiet. Gurge it out, let me ken your savvies.

[I took a further moment to consider what Karvalis was saying. I did not like it, not at all. It was one thing to have crept after him for the past few months, watching his health degrade and his mind unhinge, attending to his oversights as dutifully as I could – almost comforting, I should say, to hold a candle to his dimming own, and pretend his greatness burnt as brightly as it ever had. Far less so now, to have him admit the indignity of dying.  And as for his project of Lychdom, I thought it his greatest insanity to date. We had devoted our lives to the Un-World. We knew the misery of ghouls who ate the flesh of live cattle to taste the meaty tang of their lifeblood, we knew the jabbering ooze of wraiths bubbling in the festering essence of their own infected emotions. There was no succour there. No release. And yet Karvalis would be one of them – not to escape the unavoidable death, not for power or greed or lust for life – but to answer questions. Nothing more or less than that.]

I think… my place is beside you, as it has ever been. I will begin researching the matter immediately.